VENERDÌ 24 MAGGIO,
Aula Respighi, 18 > 19
Opere audiovisive di
Tristan Alantar (FR)
Yun
Huang (CN)
Sandro Manzon (CA)
A cura del Master
Internazionale InMics
Gli studenti di
InMICS presentano "Una serata di video e musica elettroacustica" in
l'Aula Respighi. Gli studenti espongono i loro progetti audiovisivi finali come
studenti del master InMics presso il
Conservatorio di Bologna. Diffusione audio in Surround 5.1.
The InMICS students
present “An evening of video and electroacoustic music” at the Conservatorio di
Bologna, in Aula Respighi. The students will exhibit their final audiovisual
projects as master students of ConsBo. Sound in Surround 5.1.
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Ingresso libero
fino a esaurimento posti
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Programma /
Programme
• Music rescoring
of “The Tree of Life”, 18’30”
Tristan Alantar (FR)
(EN) Tristan
proposes a rescoring of a sequence of the film “The Tree of Life” (2011) by
Terrence Malick. The sequence shows the creation of the universe, with powerful
visuals of space and nature. Sound in surround 5.1.
(IT) Tristan
propone un "rescoring" di una sequenza del film "The Tree of
Life" (2011) di Terrence Malick. La sequenza mostra la creazione
dell'universo, con potenti immagini dello spazio e della natura. Suono in surround
5.1.
• THE UNMANNED -
1953 - THE OUTLAWED (2018) by Fabien Giraud & Raphaël Siboni, 14'00''
Yun
Huang (CN)
- IN WHICH HE
CHANGES THE RULES OF THE GAME AND ALL IMITATIONS ARE SUDDENLY INTERRUPTED -
Third episode of the UNMANNED series and replicating the editing structure of
“1834 – LA MÉMOIRE DE MASSE”, “THE OUTLAWED” takes place in August 1953 on the
island of Corfu, in Greece, at the club Méditerranée Resort where Alan Turing
spent his last summer. On a sunny afternoon, the mathematician and inventor of
the modern computer, subjected to hormonal treatment after being convicted for
his homosexuality, embarks on a makeshift raft to study the morphogenesis of
marine organisms. As he explores the coast, the raft progressively drifts away.
In the absence of any shore, lost at sea, an ungrounded scene unfolds.
• Piece Touchée by
Martin Arnold (1989), 15'37''
Sandro Manzon (CA)
Based on an 18
second clip from a 1950s Hollywood film, Arnold reconfigures and
recontextualizes the choreographic movement and thus highlights the depth and
relationships between time and movement. The re-envisioned musical score aims
to amplify and punctuate such relationships. The musical gestures follow the
subtle and intriguing changes in the almost dance-like movement of the
characters. The flow of time in this work is paramount, and the music, unlike
the movement in the film, can only move forward to highlight and add implicit
meaning to the carefully examined movements, gestures and expressions of the
two characters.
• Becoming (2018)
by Jan Van ljken, 6'15''
Sandro Manzon (CA)
The film displays
single cell becoming a living organism. The Music, inspired by the image and
text from the Chinese religious text Dao De Ching, the music and images depict
the magic of conception, sentience, and the cyclic nature of life.
The International
Master in Composition for Screen (InMics) is a brand new,
joint master’s degree programme dedicated to international students wishing to
work as composers for audiovisual media. InMICS was created by a partnership of
European and Canadian higher art education institutes and professional
organizations in the field of audiovisual creation.
https://www.inmics.org/
In collaborazione
con: InMics, Conservatoire national
supérieur musique et danse de Lyon, KASK & CONSERVATORIUM School of Arts Gent, Université de Montréal
