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Una serata di Video e Musica Elettroacustica

VENERDÌ 24 MAGGIO, Aula Respighi, 18 > 19

Opere audiovisive di
Tristan Alantar (FR)
Yun Huang (CN)
Sandro Manzon (CA)
A cura del Master Internazionale InMics

Gli studenti di InMICS presentano "Una serata di video e musica elettroacustica" in l'Aula Respighi. Gli studenti espongono i loro progetti audiovisivi finali come studenti del master InMics presso il Conservatorio di Bologna. Diffusione audio in Surround 5.1.

The InMICS students present “An evening of video and electroacoustic music” at the Conservatorio di Bologna, in Aula Respighi. The students will exhibit their final audiovisual projects as master students of ConsBo. Sound in Surround 5.1.

Ingresso libero fino a esaurimento posti

Programma / Programme

• Music rescoring of “The Tree of Life”, 18’30”
Tristan Alantar (FR)

(EN) Tristan proposes a rescoring of a sequence of the film “The Tree of Life” (2011) by Terrence Malick. The sequence shows the creation of the universe, with powerful visuals of space and nature. Sound in surround 5.1.

(IT) Tristan propone un "rescoring" di una sequenza del film "The Tree of Life" (2011) di Terrence Malick. La sequenza mostra la creazione dell'universo, con potenti immagini dello spazio e della natura. Suono in surround 5.1.

• THE UNMANNED - 1953 - THE OUTLAWED (2018) by Fabien Giraud & Raphaël Siboni, 14'00''
Yun Huang (CN)

- IN WHICH HE CHANGES THE RULES OF THE GAME AND ALL IMITATIONS ARE SUDDENLY INTERRUPTED - Third episode of the UNMANNED series and replicating the editing structure of “1834 – LA MÉMOIRE DE MASSE”, “THE OUTLAWED” takes place in August 1953 on the island of Corfu, in Greece, at the club Méditerranée Resort where Alan Turing spent his last summer. On a sunny afternoon, the mathematician and inventor of the modern computer, subjected to hormonal treatment after being convicted for his homosexuality, embarks on a makeshift raft to study the morphogenesis of marine organisms. As he explores the coast, the raft progressively drifts away. In the absence of any shore, lost at sea, an ungrounded scene unfolds.

• Piece Touchée by Martin Arnold (1989), 15'37''
Sandro Manzon (CA)

Based on an 18 second clip from a 1950s Hollywood film, Arnold reconfigures and recontextualizes the choreographic movement and thus highlights the depth and relationships between time and movement. The re-envisioned musical score aims to amplify and punctuate such relationships. The musical gestures follow the subtle and intriguing changes in the almost dance-like movement of the characters. The flow of time in this work is paramount, and the music, unlike the movement in the film, can only move forward to highlight and add implicit meaning to the carefully examined movements, gestures and expressions of the two characters.

• Becoming (2018) by Jan Van ljken, 6'15''
Sandro Manzon (CA)

The film displays single cell becoming a living organism. The Music, inspired by the image and text from the Chinese religious text Dao De Ching, the music and images depict the magic of conception, sentience, and the cyclic nature of life.

The International Master in Composition for Screen (InMics) is a brand new, joint master’s degree programme dedicated to international students wishing to work as composers for audiovisual media. InMICS was created by a partnership of European and Canadian higher art education institutes and professional organizations in the field of audiovisual creation.

In collaborazione con: InMics, Conservatoire national supérieur musique et danse de Lyon, KASK & CONSERVATORIUM School of Arts Gent, Université de Montréal